Pausanias Analysis

Greek passages split into sentences with English translation

Chapter 9.35

Passage Sentence Greek English Era Skepticism
9.35.1 1 τὸν δὲ Ἐτεοκλέα λέγουσιν οἱ Βοιωτοὶ Χάρισιν ἀνθρώπων θῦσαι πρῶτον. The Boeotians say that Eteocles was the first among men to sacrifice to the Graces. ? ?
9.35.1 2 καὶ ὅτι μὲν τρεῖς εἶναι Χάριτας κατεστήσατο ἴσασιν, ὀνόματα δὲ οἷα ἔθετο αὐταῖς οὐ μνημονεύουσιν· They also know that he established the Graces as being three in number, but they do not record the names that he gave them. ? ?
9.35.1 3 ἐπεὶ Λακεδαιμόνιοί γε εἶναι Χάριτας δύο καὶ Λακεδαίμονα ἱδρύσασθαι τὸν Ταϋγέτης φασὶν αὐτὰς καὶ ὀνόματα θέσθαι Κλήταν καὶ Φαένναν. The Lacedaemonians, on the other hand, claim there are only two Graces, and they say that Lacedaemon, son of Taygete, established them and gave them the names Cleta and Phaenna. ? ?
9.35.2 1 ἐοικότα μὲν δὴ Χάρισιν ὀνόματα καὶ ταῦτα, ἐοικότα δὲ καὶ παρʼ Ἀθηναίοις· τιμῶσι γὰρ ἐκ παλαιοῦ καὶ Ἀθηναῖοι Χάριτας Αὐξὼ καὶ Ἡγεμόνην. Indeed these names also seem suitable for the Graces, and fitting as well are those among the Athenians; for from ancient times even the Athenians have honored the Graces named Auxo and Hegemone. ? ?
9.35.2 2 τὸ γὰρ τῆς Καρποῦς ἐστὶν οὐ Χάριτος ἀλλὰ Ὥρας ὄνομα· τῇ δὲ ἑτέρᾳ τῶν Ὡρῶν νέμουσιν ὁμοῦ τῇ Πανδρόσῳ τιμὰς οἱ Ἀθηναῖοι, Θαλλὼ τὴν θεὸν ὀνομάζοντες. For Karpo's name is that not of a Grace, but of an Hora; and the Athenians grant honors jointly to Pandrosos and another Hora, calling the goddess Thallo. ? ?
9.35.3 1 παρὰ δὲ Ἐτεοκλέους τοῦ Ὀρχομενίου μαθόντες τρισὶν ἤδη νομίζομεν Χάρισιν εὔχεσθαι· Having learned from Eteocles of Orchomenus, we now customarily pray to three Graces. ? ?
9.35.3 2 καὶ Ἀγγελίων τε καὶ Τεκταῖος †ὅσοι γε Διονύσου †τὸν Ἀπόλλωνα ἐργασάμενοι Δηλίοις τρεῖς ἐποίησαν ἐπὶ τῇ χειρὶ αὐτοῦ Χάριτας· And Angelion and Tectaeus, who fashioned an image of Apollo for the Delians, placed three Graces in his hand; ? ?
9.35.3 3 καὶ Ἀθήνῃσι πρὸ τῆς ἐς τὴν ἀκρόπολιν ἐσόδου Χάριτές εἰσι καὶ αὗται τρεῖς, also, at Athens, before the approach to the Acropolis, there are likewise three Graces, ? ?
9.35.3 4 παρὰ δὲ αὐταῖς τελετὴν ἄγουσιν ἐς τοὺς πολλοὺς ἀπόρρητον. beside whom rites are conducted that must not be revealed to the multitude. ? ?
9.35.4 1 Πάμφως μὲν δὴ πρῶτος ὧν ἴσμεν ᾖσεν ἐς Χάριτας, πέρα δὲ οὔτε ἀριθμοῦ πέρι οὔτε ἐς τὰ ὀνόματά ἐστιν οὐδὲν αὐτῷ πεποιημένον· Indeed, Pamphos was the first, so far as we know, to sing about the Charites; yet he composed nothing concerning either their number or names. ? ?
9.35.4 2 Ὅμηρος δὲ---ἐμνημόνευσε γὰρ Χαρίτων καὶ οὗτος---τὴν μὲν Ἡφαίστου γυναῖκα εἶναι λέγει καὶ ὄνομα αὐτῇ τίθεται Χάριν, Πασιθέας δὲ εἶναί φησιν ἐραστὴν Ὕπνον, ἐν δὲ Ὕπνου τοῖς λόγοις τὸ ἔπος ἐποίησεν Homer also mentions the Charites, claiming that one of them is the wife of Hephaestus and naming her Charis; he says furthermore that Pasithea was beloved by Hypnos, and in the speech of Hypnos he composed the verse: ? ?
9.35.4 3 ἦ μέν μοι δώσειν Χαρίτων μίαν ὁπλοτεράων. Hom. Il. 14.270-6 "And that you would give me one of the younger Charites." (Homer, Iliad 14.270-276) ? ?
9.35.4 4 τούτου δὲ ἕνεκα ὑπόνοια δὴ παρέστη τισὶν ὡς Χάριτας ἄρα καὶ πρεσβυτέρας οἶδεν ἄλλας Ὅμηρος. Because of this statement, some people have come to suspect that Homer was thus aware of other, older Charites. ? ?
9.35.5 1 Ἡσίοδος δὲ ἐν Θεογονίᾳ---προσιέσθω δὲ ὅτῳ φίλον τὴν Θεογονίαν---, ἐν δʼ οὖν τῇ ποιήσει ταύτῃ τὰς Χάριτάς φησιν εἶναι Διός τε καὶ Εὐρυνόμης καί σφισιν ὀνόματα Εὐφροσύνην τε καὶ Ἀγλαΐαν εἶναι καὶ Θαλίαν. Hesiod, however, in his Theogony—and let anyone who pleases accept the Theogony—within this poem he declares the Graces to be daughters of Zeus and Eurynome, naming them Euphrosyne, Aglaia, and Thaleia. ? ?
9.35.5 2 κατὰ ταὐτὰ δὲ ἐν ἔπεσίν ἐστι τοῖς Ὀνομακρίτου. Omacritus, in his poems, accords precisely with this view. ? ?
9.35.5 3 Ἀντίμαχος δὲ οὔτε ἀριθμὸν Χαρίτων οὔτε ὀνόματα εἰπὼν Αἴγλης εἶναι θυγατέρας καὶ Ἡλίου φησὶν αὐτάς. Antimachus, on the other hand, neither stating the number nor the names of the Graces, says that they are daughters of Aegle and the Sun. ? ?
9.35.5 4 Ἑρμησιάνακτι δὲ τῷ τὰ ἐλεγεῖα γράψαντι τοσόνδε οὐ κατὰ τὴν τῶν πρότερον δόξαν ἐστὶν αὐτῷ πεποιημένον, ὡς ἡ Πειθὼ Χαρίτων εἴη καὶ αὐτὴ μία. Moreover, Hermesianax, who composed elegies, diverges so far from previous opinion that he maintains Peitho ("Persuasion") herself is also one of the Graces. ? ?
9.35.6 1 ὅστις δὲ ἦν ἀνθρώπων ὁ γυμνὰς πρῶτος Χάριτας ἤτοι πλάσας ἢ γραφῇ μιμησάμενος, οὐχ οἷόν τε ἐγένετο πυθέσθαι με, ἐπεὶ τά γε ἀρχαιότερα ἐχούσας ἐσθῆτα οἵ τε πλάσται καὶ κατὰ ταὐτὰ ἐποίουν οἱ ζωγράφοι· But as for determining who among men first depicted the Graces naked, either sculpting them or representing them in painting, I have been unable to discover. ? ?
9.35.6 2 καὶ Σμυρναίοις τοῦτο μὲν ἐν τῷ ἱερῷ τῶν Νεμέσεων ὑπὲρ τῶν ἀγαλμάτων χρυσοῦ Χάριτες ἀνάκεινται, τέχνη Βουπάλου· In earlier works both sculptors and painters portrayed them clothed. ? ?
9.35.6 3 τοῦτο δέ σφισιν ἐν τῷ Ὠιδείῳ Χάριτός ἐστιν εἰκών, Ἀπελλοῦ γραφή· At Smyrna there stand golden Graces, dedicated in the sanctuary of the Nemeses, placed above the statues, the work of Boupalos; and also at Smyrna in the Odeion there is a painting of the Graces by Apelles. ? ?
9.35.6 4 Περγαμηνοῖς δὲ ὡσαύτως ἐν τῷ Ἀττάλου θαλάμῳ, Βουπάλου καὶ αὗται· Likewise, the Pergamenes have in the chamber of Attalus figures of the Graces, these also by Boupalos. ? ?
9.35.7 1 καὶ πρὸς τῷ ὀνομαζομένῳ Πυθίῳ Χάριτες καὶ ἐνταῦθά εἰσι Πυθαγόρου γράψαντος Παρίου· Σωκράτης τε ὁ Σωφρονίσκου πρὸ τῆς ἐς τὴν ἀκρόπολιν ἐσόδου Χαρίτων εἰργάσατο ἀγάλματα Ἀθηναίοις. Near the so-called Pythian sanctuary there are also Graces, made here by Pythagoras of Paros; and Socrates, son of Sophroniscus, before the entrance to the Acropolis, fashioned images of the Graces for the Athenians. ? ?
9.35.7 2 καὶ ταῦτα μέν ἐστιν ὁμοίως ἅπαντα ἐν ἐσθῆτι, All these are alike clothed. ? ?
9.35.7 3 οἱ δὲ ὕστερον--- οὐκ οἶδα ἐφʼ ὅτῳ---μεταβεβλήκασι τὸ σχῆμα αὐταῖς· Χάριτας γοῦν οἱ κατʼ ἐμὲ ἔπλασσόν τε καὶ ἔγραφον γυμνάς. Later artists—I do not know the reason—changed their appearance, for those sculptors and painters of my own time represent the Graces nude. ? ?