θέατρον δὲ ἀρχαῖον, μεταξὺ τῆς ἀγορᾶς καὶ
τοῦ Μηνίου τὸ θέατρόν τε καὶ ἱερόν
ἐστι Διονύσου· τέχνη τὸ ἄγαλμα Πραξιτέλους , θεῶν δὲ ἐν τοῖς
μάλιστα Διόνυσον σέβουσιν Ἠλεῖοι καὶ τὸν θεόν σφισιν ἐπιφοιτᾶν ἐς τῶν Θυίων τὴν ἑορτὴν
λέγουσιν. ἀπέχει μέν γε τῆς πόλεως ὅσον τε ὀκτὼ στάδια
ἔνθα τὴν ἑορτὴν ἄγουσι Θυῖα ὀνομάζοντες· λέβητας δὲ ἀριθμὸν τρεῖς ἐς οἴκημα ἐσκομίσαντες οἱ ἱερεῖς κατατίθενται κενούς, παρόντων καὶ τῶν ἀστῶν καὶ ξένων, εἰ τύχοιεν ἐπιδημοῦντες· σφραγῖδας δὲ αὐτοί τε οἱ ἱερεῖς καὶ τῶν ἄλλων ὅσοις ἂν κατὰ γνώμην ᾖ ταῖς θύραις
τοῦ οἰκήματος ἐπιβάλλουσιν, ἐς δὲ τὴν ἐπιοῦσαν τά τε
Διόνυσος
Διόνυσος
Θυῖα
Θυῖαι
Μήνιον
Πραξιτέλης
ἀγορά
Ἠλεῖος
There is an ancient theater between the marketplace and the temple of Menius, and there both the theater and the shrine of Dionysus are situated. The statue is the work of Praxiteles. Of all the gods the Eleans especially revere Dionysus, and say that the god visits them at the festival of the Thyia. This place, where they celebrate the feast called Thyia, is about eight stades distant from the city. The priests carry three empty cauldrons into a building, placing them there in the presence of both citizens and visitors who happen to be staying temporarily in town. Then both the priests themselves and any others appointed in an official capacity set seals upon the doors of the building. On the following day they—