Passage 10.29.3
γέγραπται δὲ καὶ Τιτυὸς οὐ κολαζόμενος ἔτι, ἀλλὰ ὑπὸ τοῦ συνεχοῦς τῆς τιμωρίας ἐς ἅπαν ἐξανηλωμένος, ἀμυδρὸν καὶ οὐδὲ ὁλόκληρον εἴδωλον. ἐπιόντι δὲ ἐφεξῆς τὰ ἐν τῇ γραφῇ, ἔστιν ἐγγυτάτω τοῦ στρέφοντος τὸ καλῴδιον Ἀριάδνη· κάθηται μὲν ἐπὶ πέτρας, ὁρᾷ δὲ ἐς τὴν ἀδελφὴν Φαίδραν, τό τε ἄλλο αἰωρουμένην σῶμα ἐν σειρᾷ καὶ ταῖς χερσὶν ἀμφοτέραις ἑκατέρωθεν τῆς σειρᾶς ἐχομένην· παρεῖχε δὲ τὸ σχῆμα καίπερ ἐς τὸ εὐπρεπέστερον πεποιημένον συμβάλλεσθαι τὰ ἐς τῆς Φαίδρας τὴν τελευτήν.
Also depicted is Tityos, no longer undergoing punishment, but having been utterly consumed over time by the continuous torment, now reduced to a faint and incomplete shade. Advancing in sequence through the painting, nearest to the figure winding the thread sits Ariadne upon a rock, gazing at her sister Phaedra, whose body is suspended by a rope, her hands gripping it on either side. Although the pose has been arranged with more elegance, it nevertheless clearly suggests the circumstances of Phaedra's death.