Passage 4.30.6
Βούπαλος δέ, ναούς τε οἰκοδομήσασθαι καὶ ζῷα ἀνὴρ ἀγαθὸς πλάσαι, Σμυρναίοις ἄγαλμα ἐργαζόμενος Τύχης πρῶτος ἐποίησεν ὧν ἴσμεν πόλον τε ἔχουσαν ἐπὶ τῇ κεφαλῇ καὶ τῇ ἑτέρᾳ χειρὶ τὸ καλούμενον Ἀμαλθείας κέρας ὑπὸ Ἑλλήνων. οὗτος μὲν ἐπὶ τοσοῦτο ἐδήλωσε τῆς θεοῦ τὰ ἔργα· ᾖσε δὲ καὶ ὕστερον Πίνδαρος ἄλλα τε ἐς τὴν Τύχην καὶ δὴ καὶ Φερέπολιν ἀνεκάλεσεν αὐτήν.
Boupalos, a man excellent in the building of temples as well as in the shaping of figures, was the first—we know of—to depict Fortune in his work for the Smyrnaeans with a polos on her head and grasping in one hand what the Greeks call the horn of Amaltheia. Such was the extent of his portrayal of the goddess. Later, Pindar also sang of Fortune, among other praise, calling her moreover "Pherepolis" (Bearer of Cities).